Varejar
“Varejar” / beat with a stick or pole.
Traditional Olives Extraction in Douro – Portugal.
Field Recording: Peter Forest ©2015
Music: (Beirã) Folk Music Adaptation “O Entrudo” by Peter Forest
“Varejar” / beat with a stick or pole.
Traditional Olives Extraction in Douro – Portugal.
Field Recording: Peter Forest ©2015
Music: (Beirã) Folk Music Adaptation “O Entrudo” by Peter Forest
Client: Ateneu de Fabricació Ciutat Meridiana _Ayuntamento de Barcelona
Production /videography /Editing: Peter forest Studio
Naga Bambu “sounds in movement”, is an ethnographic and documentary work with a strong experimental aspect of unpredictability which aims to rediscover other ways to listen and interact with sounds. The technological simplicity of an Northwest Indian instrument allies with strong performative component. Originally was played in pagan ceremonies associated with dance and body movement. The microtonality of the instrument allows spontaneous interaction based on the game and, despite being as ancestral instrument can be perfectly adapted to our geographical context and contribute to the renewal of the current listening habits.
8ª Mostra Sonora i Visual, Convent de Sant Agustì
Original Idea: Peter Forest
Photography: Afonso Albuquerque
Graphic design: Ingrid Recio
Video and Sound design: Peter Forest
Direction: The wedding Forest
Video and Photo: Peter Forest Studio
Models: Ingrid recio, Pablo Bisignano
Makeup: Sandra Ramos
With the last line of David Mitchell’s novel Cloud Atlas, the protagonist questions the insignificance of our actions and existence in an infinite universe by asking himself, “What is an ocean but a multitude of drops?” As musicians and video artists, capturing audio and video drives us to see the whole as greater than the sum of all its parts, bringing together what are seemingly mundane elements in order to harmonize it into something fuller and deeper than our initial impression of the source material would suggest. A Multitude of Drops is the audio/visual project of the music of Apollo Dial and the imagery of Peter Forest that looks at the natural world as something harmonic and orderly from which to draw inspiration. Audio is sourced as naturally as possible using a variety of portable recorders and microphones to reflect the inspiration obtained from field recordings, experimentation with analog synthesizers (such as the Roland Juno-106), sampling of old vinyls and more conventional instruments. Visuals have been recorded with consideration to light intensity and the subtle movement of various elements and seemingly insignificant everyday experiences.
Music by Apollo Dial
Video and editing by Peter Forest